The simplicity of analog.
The power of digital.
The simplicity of analog.
The power of digital.
Get in touch with a better way to mix.
Get in touch with a better way to mix.
Legendary mixer designers Greg Mackie and Peter Watts have solved mixer problems inherent in all of our competition.
Legendary mixer designers Greg Mackie and Peter Watts have solved mixer problems inherent in all of our competition.
We’re not putting down other brands, some of whom make excellent small-format digital mixers. But their limitations begin with needing to have physical faders. Faders take a major part of the mixers space, attract dust and crud, and wear out.
Much of the critical information you need while mixing is somewhere else…on LEDs somewhere above the faders, or on eensy weensy 7″ screens. You must constantly bob back and forth between different parts of the mixer. Very possibly, you end up not seeing critical info/functions, because they’re so separated from the channel strip.
By taking away the physical faders and replacing them with a big touch screen, we focus your view and your control.
We saw the same advantages for digital mixers. The D24 and D32 are the products of that evolution.
A mixer with electronic faders?
A mixer with electronic faders?
By using the largest screens in their class, we’ve made virtual faders a practical solution.
For some, no physical faders will be a hard concept to accept. But think about it… touch screens are now a constant part of everyone’s life. In cars, in smart phones, even in the new Boeing® 777X that replaces many cockpit gauges and switches with touch screens — a Boeing spokesman explained that touch screens are intuitive, easier to train pilots with, make data selection faster and easier, and eliminate malfunction-prone physical controls.
We saw the same advantages for digital mixers. The D24 and D32 are the products of that evolution.
A mixer with electronic faders?
A mixer with electronic faders?
By using the largest screens in their class, we’ve made virtual faders a practical solution.
We saw the same advantages for digital mixers. The D24 and D32 are the products of that evolution.
A detachable stage box and 32 honest mic/line channels.
A detachable stage box and 32 honest mic/line channels.
Our D32 includes what our competitors charge extra for. Most so-called 32-channel mixers only really have 16 XLR mic/line inputs!
Pay extra to get 32 channels and a stage box. Buy a D32 and save enough to get more mics.
A detachable stage box and 32 honest mic/line channels.
Our D32 includes what our competitors charge extra for. Most so-called 32-channel mixers only really have 16 XLR mic/line inputs!
Pay extra to get 32 channels and a stage box. Buy a D32 and save enough to get more mics.
Look on the back of our D32 and you’ll see thirty-two Lyric mic/line inputs. No add-ons necessary.
No having to pay extra for a stage box. The D32 splits apart and lets you put the I/O up to 150 feet away from the controller with just a CAT6 cable connecting them.
It’s also rack mountable.
you also get a floor pedal that lets you switch between four Scenes, FX presets, or Mute Groups. Free.
No having to pay extra for a stage box. The D32 splits apart and lets you put the I/O up to 150 feet away from the controller with just a CAT6 cable connecting them.
It’s also rack mountable.
you also get a floor pedal that lets you switch between four Scenes, FX presets, or Mute Groups. Free.
No having to pay extra for a stage box. The D32 splits apart and lets you put the I/O up to 150 feet away from the controller with just a CAT6 cable connecting them.
It’s also rack mountable.
you also get a floor pedal that lets you switch between four Scenes, FX presets, or Mute Groups. Free.
A detachable stage box and 32 honest mic/line channels.
Our D32 includes what our competitors charge extra for. Most so-called 32-channel mixers only really have 16 XLR mic/line inputs!
Pay extra to get 32 channels and a stage box. Buy a D32 and save enough to get more mics.
See more; access it faster.
See more; access it faster.
Each 100 or 70mm virtual fader displays TEN pieces of important information, from input level to compression/gating to EQ.
Not all of these are critical for minute-to-minute live mixing, but many are that affect your control of the mixers. Compression and Gating, for example..
Pristine yet robust Lyric preamps.
Peter Watts has been advancing and refining mic preamp technology for literally 50 years. Lyric is the pinnacle of his expertise.
Lyric preamps don’t vary when presented with a wide range of input impedances. Complete rejection of Radio Frequency Interference while maintaining near “DC-to-Light” frequency response. Utterly free of coloration…
We could wax even more poetic about Lyric’s accuracy, warmth and headroom, but hearing is believing.
Pristine yet robust Lyric preamps.
Pristine yet robust Lyric preamps.
Peter Watts has been advancing and refining mic preamp technology for literally 50 years. Lyric is the pinnacle of his expertise.
When you hear a Fleetwood Mac song from the 70’s, you’re hearing the mic preamps on the Trident Di-An mixing console Peter helped create. That was then; now his genius has culminated in the Lyric preamp design. Instead of typical dual single-input devices, Lyric uses dual quad matched low-noise Class A input stages that feed fully balanced interstages into an integrated Analog to Digital converter (typically the A/D converter is a separate, outboard stage where it can pick up noise).
Lyric preamps don’t vary when presented with a wide range of input impedances. Complete rejection of Radio Frequency Interference while maintaining near “DC-to-Light” frequency response. Utterly free of coloration…
We could wax even more poetic about Lyric’s accuracy, warmth and headroom, but hearing is believing.
Pristine yet robust Lyric preamps.
Peter Watts has been advancing and refining mic preamp technology for literally 50 years. Lyric is the pinnacle of his expertise.
When you hear a Fleetwood Mac song from the 70’s, you’re hearing the mic preamps on the Trident Di-An mixing console Peter helped create. That was then; now his genius has culminated in the Lyric preamp design. Instead of typical dual single-input devices, Lyric uses dual quad matched low-noise Class A input stages that feed fully balanced interstages into an integrated Analog to Digital converter (typically the A/D converter is a separate, outboard stage where it can pick up noise).
Lyric preamps don’t vary when presented with a wide range of input impedances. Complete rejection of Radio Frequency Interference while maintaining near “DC-to-Light” frequency response. Utterly free of coloration…
We could wax even more poetic about Lyric’s accuracy, warmth and headroom, but hearing is believing.
Signal processing thru ingenious BigChannels.
Signal processing thru ingenious BigChannels.
We didn’t invent the concept of consolidating an input channel’s signal processing on a single screen. But only the D24 and D32 lead off with a parametric EQ thumbnail. on every channel strip! Visible at all times, it activates the channel’s BigChannel.BigChannels are BIG because of our Ginormous screens that gives us the space to add features and make signal processing more intuitive. For example, Compressor/Limiter and Gate/Expander screens include dynamic visual representations that make adjustment much easier than just knobs.
BigChannels are also big because of what we included on left and right side: Channel strip, Mute Groups, FX and Aux sends, Master L/R Output strip with Channel Delay. These important controls are visible and handy while you’re using the BigChannel and its break-out screens.
BigChannels are BIG because of our Ginormous screens that gives us the space to add features and make signal processing more intuitive. For example, Compressor/Limiter and Gate/Expander screens include dynamic visual representations that make adjustment much easier than just knobs.
BigChannels are also big because of what we included on left and right side: Channel strip, Mute Groups, FX and Aux sends, Master L/R Output strip with Channel Delay. These important controls are visible and handy while you’re using the BigChannel and its break-out screens.
BigChannels are also big because of what we included on left and right side: Channel strip, Mute Groups, FX and Aux sends, Master L/R Output strip with Channel Delay. These important controls are visible and handy while you’re using the BigChannel and its break-out screens.
Signal processing thru ingenious BigChannels.
There are times when a mixer has lighter duty: A business presentation, a Wednesday church service, an acoustic combo, a podcast, a school rally, a courtroom.
And sometimes the D24 or D32 must be operated by someone with only a basic knowledge of mixing.
The ten Simple Mode channels hide a lot of functions that inexperienced users may find confusing. But click on the blue EQ “thumbnail” and Simple BigChannel opens. There’s four bands of Equalization (tone controls), rotary Pan (Balance) control, simplified Compression control, preset Low Cut to remove rumble, FX Send, and Monitor send.
10-channel Simple Mode welcomes volunteers and newbies.
10-channel Simple Mode welcomes
volunteers and newbies.
Simple Mode is designed to make mixing super-easy for anyone. It’s a 10-channel “overlay” for basic mixing, new volunteers, AV operators, etc.
Everything you need to mix without the complications.
There are times when a mixer has lighter duty: A business presentation, a Wednesday church service, an acoustic combo, a podcast, a school rally, a courtroom.
And sometimes the D24 or D32 must be operated by someone with only a basic knowledge of mixing.
The ten Simple Mode channels hide a lot of functions that inexperienced users may find confusing. But click on the blue EQ “thumbnail” and Simple BigChannel opens. There’s four bands of Equalization (tone controls), rotary Pan (Balance) control, simplified Compression control, preset Low Cut to remove rumble, FX Send, and Monitor send.
10-channel Simple Mode welcomes volunteers and newbies.
Simple Mode is designed to make mixing super-easy for anyone. It’s a 10-channel “overlay” for basic mixing, new volunteers, AV operators, etc.
Everything you need to mix without the complications.
There are times when a mixer has lighter duty: A business presentation, a Wednesday church service, an acoustic combo, a podcast, a school rally, a courtroom.
And sometimes the D24 or D32 must be operated by someone with only a basic knowledge of mixing.
The ten Simple Mode channels hide a lot of functions that inexperienced users may find confusing. But click on the blue EQ “thumbnail” and Simple BigChannel opens. There’s four bands of Equalization (tone controls), rotary Pan (Balance) control, simplified Compression control, preset Low Cut to remove rumble, FX Send, and Monitor send.
“Hard” buttons where you need them.
You can do almost everything on our virtual screens. That’s why there are function buttons on each side of the screen.
On the left of the D224 and D32 screens, are “hard” buttons that display Mono Aux send, Stereo Aux sends, FX (Effects), Equalization, Aux on Faders, and access to an Overview screen that shows you every fader on the mixer, an invaluable feature simply not possible with a hard-fader mixer. The right side gives you a Home button, Menu view, phantom power control, Anti-Feedback button, Effects Mute, and Mute and Scene view buttons. Next are multi-function Left-Center-Right buttons, a big silky detented rotary control, and finally Monitor, USB 2-track Record, and Multitrack access.
“Hard” buttons where you need them.
You can do almost everything on our virtual screens. That’s why there are function buttons on each side of the screen.
The right side gives you a Home button, Menu view, phantom power control, Anti-Feedback button, Effects Mute, and Mute and Scene view buttons. Next are multi-function Left-Center-Right buttons, a big silky detented rotary control, and finally Monitor, USB 2-track Record, and Multitrack access.
On the left of the D224 and D32 screens, are “hard” buttons that display Mono Aux send, Stereo Aux sends, FX (Effects), Equalization, Aux on Faders, and access to an Overview screen that shows you every fader on the mixer, an invaluable feature simply not possible with a hard-fader mixer. The right side gives you a Home button, Menu view, phantom power control, Anti-Feedback button, Effects Mute, and Mute and Scene view buttons. Next are multi-function Left-Center-Right buttons, a big silky detented rotary control, and finally Monitor, USB 2-track Record, and Multitrack access.
“Hard” buttons where you need them.
You can do almost everything on our virtual screens. That’s why there are function buttons on each side of the screen.
“Hard” buttons where you need them.
You can do almost everything on our virtual screens. That’s why there are function buttons on each side of the screen.
Heck, we even tossed in a 2-meter connecting cable.
Get in touch with a FREE 12-function foot pedal.
Get in touch with a FREE 12-function foot pedal.
Whether on stage or Front of House, being able to call up four Scenes, four Effects presets, or four Mute Group settings is ginormously helpful.
Heck, we even tossed in a 2-meter connecting cable.
Get in touch with a FREE 12-function foot pedal.
Whether on stage or Front of House, being able to call up four Scenes, four Effects presets, or four Mute Group settings is ginormously helpful.
The P-1 pedal comes free with your D24 or D32. Free. It’s part of the philosophy of M&W to reward our buyers with real value.
